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Handel

Handel Andante Siebente Suite in g moll - HWV 432

pental

3:48	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

Hallelujah Chorus for Flute Quartet

ecpflute

3:38	Est. Play Time
91	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	12	1	0	8	91%
	15	2	2	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	12	1	0	8	91%
	15	2	2	8	95%
	14	2	1	8	99%
	12	2	2	8	98%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

Handel Allegro Siebente Suite in g moll - HWV 432

pental

1:56	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version

sven2011

1:48	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

HWV61A2N46 - Regard, O son, my flowing tears

edward.maurath

6:48	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
Cello	23	0	7	10	98%
NITOCRIS	16	0	6	9	76%
Violin	23	2	9	9	71%
Violoncellos	17	0	5	9	69%
Violone	17	0	5	9	69%

HWV8A0N17 - Dai, quando vuoi, recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
	3	0	1	1	67%
Harpsichord	10	3	3	2	67%
	2	0	0	1	33%
Apollo	5	0	1	3	67%
Erato	4	0	0	3	67%

The Hallelujah Chorus from The Messiah

Glyndŵr Alley Music Publishing Group

3:32	Est. Play Time
94	Measures
	4,112Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
Baritone Horn	14	0	2	8	95%
	16	0	2	7	100%
Baritone Saxophone	17	0	2	7	100%
Alto Saxophone	17	0	2	8	96%
	16	0	1	9	98%
Bass Clarinet	17	0	2	7	98%
Bassoon	17	0	2	7	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Glockenspiel	12	0	0	8	88%
Oboe	12	0	0	8	88%
Piccolo	12	0	0	8	88%
Soprano	12	0	0	8	88%
Vibraphone	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Bagpipe	9	0	1	8	59%
Timpani	2	0	0	7	50%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
Bass	14	0	3	8	84%
Violins 1	25	0	6	6	81%
Alto	14	0	3	8	79%
Violins 2	22	0	5	8	77%
Soprano	16	1	4	7	73%
Violas	20	0	5	8	73%
Double Basses	23	11	6	7	70%
C Trumpet I, II	13	0	1	8	54%
Timpani	2	0	0	8	34%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare

edward.maurath

12:33	Est. Play Time
114	Measures
	1,315Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
Lute	17	1	3	2	100%
	17	1	3	2	100%
Celli	17	0	3	2	100%
Continuo	17	0	3	3	100%
Contrebaß	17	0	3	2	100%
Violas	16	0	5	3	100%
Violins	23	60	8	6	100%
Vln 2	23	60	8	4	100%
Flute	20	0	5	6	89%
Cornelia	15	0	5	7	88%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
Flute	15	0	3	4	75%
	17	2	3	4	75%
Esilena	16	0	6	4	71%
Cembalo (Continuo)	22	37	7	5	63%
	21	28	6	5	63%
Violoncello (Continuo)	18	0	3	5	63%
Contrabasses	14	0	0	5	43%
Violoncellos (Continuo)	14	0	0	5	43%

"Fredde ceneri d'amor, chelanguite in questo cor," act 2 of "Rodrigo," HWV 5 (1707)

edward.maurath

5:54	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	15	0	4	5	85%
Flute	16	0	5	5	67%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	15	0	4	5	85%
Flute	16	0	5	5	67%
	14	0	4	5	64%
Violins 1	16	0	5	5	67%
Florinda	16	0	6	5	66%
Violins 2	14	1	4	5	64%
Cembalo (Continuo)	15	16	4	5	24%
	4	2	0	2	5%
Harp (Continuo)	15	16	4	5	24%
	4	2	0	2	5%

Allegro Suite 7

Shonaten

1:42	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		18	0	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		18	0	3	5	100%

HWV56N04 - Messiah - And the Glory of the Lord

edward.maurath

5:54	Est. Play Time
138	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
Cello	22	1	4	5	98%
Violone	22	1	4	5	98%
Violin 2	19	1	3	6	79%
Bassoon	17	0	4	4	78%
Oboi	15	2	2	5	77%
Viola	17	0	4	4	77%
Alti	11	1	2	5	75%
Violin 1	17	0	2	6	75%
Tenori	11	0	2	5	72%
Bassoon Continuo	22	0	4	4	72%
Bassi	16	0	3	4	63%
Soprani	13	0	2	5	63%

HWV 61: Nitrcris, "Thou God, most high, and thou alone"

edward.maurath

4:57	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	25	80	10	6	100%
HSC RH	20	80	7	8	97%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	25	80	10	6	100%
HSC RH	20	80	7	8	97%
Basso Continuo	21	1	6	6	96%
NITOCRIS	15	0	5	6	77%
Violin	18	1	5	8	62%
	14	0	2	6	55%
Viola	14	0	2	6	56%
Violoncellos	17	0	5	6	55%
VNE	17	0	5	6	55%